Puppet Manipulation Basics

Big thanks to Josh Cohen, Connor Hopkins and Liebe Wetzel for these notes.

Sara Farr

The Illusion of Life

  • EYE FOCUS — be specific where the puppet is looking
  • BREATH — lift for breath, drop for exhale; lead motion with a breath
  • WEIGHT — show mass in the degree of the character’s inertia
  • EMOTION — happy: lift | sad: fall | angry: strike out | scared: recoil
  • ECONOMY — use movement deliberately; eliminate extraneous movement

Looking & Breathing

  • Be specific in choosing where your puppet is looking
  • Look at your puppet and correct eye line as necessary
  • Let puppet look around and “see” the environment
  • Shoulder rise-fall gives “breath” or life to your puppet
  • Anticipate movement with a “breath”
  • To look left or right, roll your wrist to show your knuckles to the audience

Walking

  • Bounce gives rise and fall of walk
  • Forearm to turn & shift weight for walk
  • Vary speed, gate and emotion to create character walks

Talking

  • Bounce from shoulder with relaxed wrist opens the mouth
  • Pop open on vowels (close for consonants)
  • Visualize voice coming from palm of your hand
  • Keep puppet’s head out to audience; avoid profile
  • Look at puppet & emote, then look at scene partner
  • Keep hand pointed slightly down so audience can see eyes
  • Practice thumb movement (drop jaw, maintain eye line)
  • Small movements for talking
  • Emphasize beats with BIG movement
  • Puppet always knows what to say

Arms & Touching

  • Use the arm rods with deliberance; otherwise, drop ’emCreate tension in arm by pulling out to full length
  • Roll rod to turn handGive scene partner a target for high-5s and hugs
  • Verbally and physically communicate your attack
  • “Victim” reaction sells the touch/slap/hit/punch/kick
  • Use slo-mo for “Kiss or Kill” moments
  • Don’t rush the action; break complex actions down into individual steps

General Notes

  • Everything you do, do it through the puppet
  • Be conscious of the puppet’s movement
  • Show, don’t tell… Nod for “yes”, shake head for “no”
  • Use the puppet’s body language (eye contact, close/far to other characters)
  • Share energy with audience… have puppet look at audience often
  • Example: To other character…
    “[Name] I want to ask you a question”
    Out to audience… “[asks question]”
    Back to other character… “Eh?”

Tips

  • WATCH the puppet
  • Keep energy in your hand
  • Let the puppet misbehave